Ultimate Comic Challenge (post 2 of 2)

Not only did I create a series of mediocre posters for the UCC, each challenger had a flyer personally made for them.

This was, of course, completely unsolicited on the part of my fellow comedians.

I don’t know why, though. These flyers are completely AWESOME.

Comedians tend to be critical of themselves (or simply consumed with self-loathing). There aren’t many opportunities to revel in being super awesome. Anyone who gets a big head is quickly put in their place by fellow comedians. Hence- the flyers.

Despite being super ridiculous (especially Troy and Leo. I am so sorry!), it was my tiny tribute to the comics.

I’ve become friends with most of the comics that were in the semi-finals. They are a bunch of really great and really talented guys.

They have made my time in comedy a lot of fun.

So, here are some of my favorites.

Ultimate Comic Challenge (post 1 of 2)

Idiot Box is my favorite comedy venue in Greensboro. It's downtown and nestled comfortably between five bars. Plus it is one of the few places where you can get paid to do shows.

FUN FACT: Comedians love alcohol and money!

Every year, Idiot Box hosts the Ultimate Comic Challenge. Comics compete in a tournament to be the Ultimate Comic. The final round takes place in the Carolina Theater (which is pretty dope) and the winner gets $1000 dollars.

That is so many dollars!

In the rounds leading up to the final round, the comic who gets the most votes not only goes on to the next round- they get $50.

"12 comics compete to make you laugh... and
then you decide their fate like some sort
of depraved emperor!"

FUN FACT: $50 dollars in Comedian World is, like, $200 dollars! (We are notoriously bad with money, you guys!).

Last year, I only made it past the first round. I had only been doing comedy for six months so I counted it as a victory.

This year, I made it to the semi-finals which was a great experience... and an even greater victory.

The comics in this year's competition were much better than last year. All of the shows were great because all of the comics were great.

If I had been competing against this year's line-up last year- I wouldn't have even made it past the first round.

My set was notably better than last year as well.

It's nice to have moments where you see that you are moving forward. There are more fails than successes on stage. Progress is hard to measure and aggravatingly slow. So it is incredibly refreshing have tangible evidence that you are getting better (and that all the horrible/awkward moments on stage are worth it).

Unfortunately for everyone, the day before the UCC Semi-finals, I had way too much time on my hands and flooded Facebook with UCC posters I made on Paint.

(Paint. Not MS Paint or even a cheap knock-off of Photoshop- Paint. It is free to download and it crashes if you try anything fancy- hence the incredibly pedestrian look of all the posters are sporting.)

Alas, I did not make it past the semi-finals but I ain't fussed! The audience was packed and the show was awesome from start to finish.

(And if I continue on my current trajectory, I'm going to smoke the competition next year.)

The finals will be at the Carolina Theater on January 25th.

Unsolicited Advice: Campaign Slogans

Romney had to do damage control on his "Keep America American" slip-up.

Everyone is upset that Obama hasn't fulfilled any of his campaign promises.

What a mess.

So, this go around, Obama (and everyone in the future) should just set the bar low so that progress of any kind seems like a dazzling achievement.

"He Does Things"

Election won.

source: Buzzfeed

RNC went out with a bang (from a .44 revolver)

NOTE: NSFW (for language)
*mentions politics but post is fairly non-political 


click here to see video on YouTube

The Republican National Convention happened. During the three days, a lot of people were guessing who the mystery guest would be. Guesses included Ron Paul, Tim Tebow, Donald Trump, a hologram of Reagan, Jon Voight, Mengele, George W. Bush, Laura Bush, and Voldemort.

I don't think anyone expected it to be Clint Eastwood.

And I don't think anyone expected him to talk to a chair...

Reactions to the speech ranged everywhere from joy (everyone at the convention) to confusion (everyone not at the convention).

Poor Rachel Maddow, who deals with politics everyday (how do you do it, girl?) was simply bewildered. She could not wrap her mind around it.

It was kind of crazy and probably garnered the biggest reaction from people/general media...

Oh, Marvin. I can always count on you.

Most of the people I follow on Twitter are comedians and were just thrilled and amused that the convention decided to take such a strange turn...

I like how old people have become the new wild-card at televised events. 

Forget Kanye West-- old people are the people to watch. 

They have stuff to say and they just don't care about your bullshit.

Respect.

Clint Eastwood likes to pop at random times to spend a moment or two growling at us for being lazy jerks (remember the random commercials he did at the super bowl?) and I kind of love it. He has such a great stage presence.

They don't just play the theme from "The Good, The Bad, and the Ugly" for just anybody (and it wasn't just because he happened to be in the movie. 

The man the last of the old-school badasses.

I personally believe that Clint Eastwood could get more done in this country than any politician in existence. NOT by becoming involved in politics- just by going door to door and growling at people to, "get their f&%ing act together."

The media kind of seized on the "chair thing" but the speech wasn't awful. It was actually pretty good. Eastwood had some great one-liners and he had some good slams on lawyers and Biden.

(I personally love Biden but credit where credit is due.)

The speech was funny.

He had a legitimately good quip about war in Afghanistan: "We didn't check with the Russians to see how they did there for the ten years..." Hahaha. It's funny because no one wins in Afghanistan.

Good one, Mr. Eastwood.

One woman at the convention shouted,"Make my day," to which Eastwood responded, "I don't say that anymore." But then after a beat of silence, he added with a coy smile, "but maybe one more time..."

Clint Eastwood, you tease!

The man knows how to play to the crowd.

Personally, though, I would have rather heard him shout, "GET OFF MY LAWN!" into the crowd.

Photo of the Day II

"Reality" by Jay Cougar
purchase print here

Photo of the Day

"Into the Fire"// Georgian Bay
originally posted here

Claudia O'Doherty: Laugh Ninja

My mission for Fringe was to see as many stand-up shows as possible and basically glut myself on comedy. 

Most shows I saw were based off recommendations from comedians I liked and Claudia O'Doherty was a performer that was recommended by both Josie Long and David O'Doherty (which is the sort of endorsement that pretty much guaranteed that I would be seeing that show).

Not knowing anything about O'Doherty, I did a cursory search on the internet. While there weren't many clips- there were a lot of pictures of her wearing a shark mask (which was obviously a point in her corner). 

I eventually found an interview she did for her last Fringe show in 2011 (What Is Soil Erosion?) Here is a snippit:

2. Describe (the show) in three words. Magic magic magic.
3. What is your favorite thing about the show? It involves pudding.
4. Complete this sentence: if you like partying with sex wizards then, hell, you might just like my show.

Sold! I bought tickets to the show 15 minutes later.

Walking into the venue, I didn't quite know what to expect. I knew that the show was called The Telescope and that it wasn't a stand-up act. The blurb in the Festival Program simply read: "No more jokes. No more laughter... Please join Claudia for her first foray into confronting upsetting theater." The only other clue I had to go on was a short one minute trailer and while mildly amusing, it still didn't reveal much.

And then "Get Ready For This" started playing on the overhead speaker. When O'Doherty skipped gleefully onto the stage- any hesitance or skepticism I had had evaporated. I knew only merriment and joy.

The show was mental and can best be described as an hour of undiluted awesomeness.

Afterwards, I went on a campaign to get everyone I knew to see it. When asked the logical follow-up question: "what is the show about?" I would answer with unrestrained zeal, "A monk gets murdered and a victorian washer-woman falls in love with an cop because of a cursed telescope and she plays all the parts and does the entire show in a blood-stained t-shirt. It's hilarious!"

("No, seriously. Wait- come back!")

Admittedly, my pitch needed some work.

The premise of The Telescope is this: O'Doherty is sick of stand-up and wants to do serious acting. She dubs her style of theater "difficult theater." This genre is employed to tell the story of a monk, a victorian washer woman, a supernatural telescope, and a modern day New York cop.

Despite claims that there would be "no laughter" and threats of "serious theater", the audience was in hysterics from the beginning : "it's no secret that The Telescope is not a sincere venture into dramatic territory, but O'Doherty's latest attempt yet at what she calls "high-concept stupidity." 

Brilliant.

The show has also received some amazing reviews. 

When I say "amazing reviews", I don't just mean that they were positive (which they have been) -- I mean the reviews themselves are a fantastic read. Some are great just because any article that uses the phrase "delightfully unhinged" or "panda expert" will always naturally pique my interest. Others are great because the reviewers tried so hard to write seriously about a show that is bananas. 

So, here are some of my favorite reviews of The Telescope presented with little to no context:

the winsome Aussie now wants to regale us with a lamentable time-travel-meets-satanism melodrama called The Telescope. (Mark Monahan // The Telegraph)

Claudia is a fucking nutbag. She is delightfully unhinged and frantically creative.  (Andy Lane // Rabbit Hole Urban Music

...cod melodrama in which the doe-eyed O’Doherty dons a series of daft wigs to play a suicidal 15th Century monk, a convict washerwoman and a tough, modern-day New York cop, all drawn together by a cursed telescope that can see through time. (Steve Bennett // Chortle)

Part panda expert, part surrealist performer, Claudia O'Doherty talks suicidal monks and 'difficult theatre' (Collette Cullen // The Skinny)

Just how did an entertainer come up with such a grand, nightmarish vision? ... "I was like: 'Well, I know there's going to be a telescope in it. And I think I'd like to be a New York City cop for a bit and I'd like to do karate kicks. But I'd also like to be a convict washerwoman, so how can I do that?' Well, if this telescope can communicate through time, all that stuff is achievable!" (Lyle Brennan // Fest Magazine)

"If it's whimsy, it's whimsy of the most kick-ass kind." (Alice Jones // The Independent)

Picture for The Telescope

May I just say that "whimsy of the most kick-ass kind" is one of the best reviews I have ever read. I now aspire to live a life where people are forced to use that phrase in order to describe me.

In short, it was one of the greatest shows I saw at the Fringe. I was incredibly glad I got to see the show and can't wait to see Claudia in future performances. 

One interviewer articulated my thoughts perfectly writing, "My biggest regret is that (I) didn't see her shows from previous years as I feel like I have missed some remarkable creations." 

Claudia O'Doherty is hilarious.

(**If you are unable or unwilling to take the word of a blogger (a sensible move on your part), the show recently got nominated for Best Show. The nomination alone is impressive when you stop to consider the sheer number of shows she was competing against. She is on a shortlist of six other performers and the winner will be announced Saturday.)

 ===
More Claudia O'Doherty...
Twitter: @ClaudiaODoherty
Facebook: Claudia O'Doherty

Interviews
Interview on Australian radio show, Triple J (interview and O'Doherty plays five songs. Respect for playing R-Kelly and gratitude for making me aware of Emmylou and First Aid Kit.)

Hatty Ashdown's Silly Radio Show (link goes to iTunes podcast page) [Hattie at the Edinburgh Fringe 2011: JOSIE LONG & CLAUDIA O'DOHERTY] Delightful.


Absolutely True* Facts About Sharks (*Not True) Article on "100 Facts About Sharks" which she co-wrote with David O'Doherty (no relation) and Mike Ahern.

Slow down, you move too fast...

I’m in Edinburgh, Scotland for the Fringe Festival.

Because all I know of Scotland was gleaned from Braveheart and Brave, when I think of Scotland I can’t help but think of a beautiful rugged landscape shrouded in fog. Edinburgh, however,  isn't a pastoral countryside. It is  a massive city and a seat of learning. It is a great big bustling city.

Or it would be “bustling” if anyone was in a hurry to get anywhere.

There are people EVERYWHERE and they all wish to thwart me.

The sidewalks are just a series of human barricades. Despite my easy-going Quaker-lite ways, I want to clear a path by way of gut-punches and individual stranglings.

The problem is two-fold:

REASON 1- Tourists. Currently, the city is awash in tourists (who we can all agree are awful) and I understand Edinburgh is crazy picturesque- but at no time is it okay to stop (with your entire family) in the middle of the sidewalk. 

REASON 2 - Natives. I mean no slander. Scottish people are great and (for the most part) a really nice easy-going people. They are incredibly relaxed and really never in a hurry to get anywhere. I don't know if it is because of the freak bout of sunshine Edinburgh has been enjoying or because they really are just that carefree (and/or drunk). 

Basically, lawlessness dominates the sidewalks.

You know how in the US, we drive on the right side of the road? And when we walk, we typically walk on the right side of the road.

(*NOTE: The above is just a hypothetical. I’m clearly kidding-- Americans don’t walk anywhere!)

Scotland hasn’t yet come down on which side they walk on.

It's as if they thought to themselves, “Yes, we drive on the left side of the road like the British but we aren’t fucking English! They can’t tell us what to do with our lives!! The sidewalks! That is where we shall stage our revolt!”

(“We’ll walk on the right side?”)

“WE SHALL WALK WHEREVER WE PLEASE!”

And that is exactly what they did.

And whenever the queen visits Scotland, she sees the Scots meandering about like dust motes and their blatant defiance triggers a furious rage within her.

True story.

Old Timey Insult Generator...

source

Your to-do list for the day...

Reminder to follow my comedy blog.

Currently, it showcases comics that have been featured in the Edinburgh Fringe Festival.

They are hilarious.

Holy whips and chains, Batman!

NOTE: THIS POST IS ONLY ABOUT THE MOVIE (NOT ANY OF THE REAL LIFE MADNESS/ SADNESS THAT UNFOLDED AROUND THE MOVIE). 

The movie has been out for a while now. It probably would have been more timely to publish this a week ago. By now, though, more people have seen the movie. I try to make jokes that would be funny if you haven't seen the movie.

BUT THERE ARE SPOILERS. DON'T READ IF YOU DON'T WANT TO HAVE ANYTHING GIVEN AWAY.

SETTING THE STAGE: EXPOSITION THAT LASTS FOREVER

Before things really happen... the makers of this lay the groundwork for thirteen different story-lines.  

When the movie starts, Batman hasn't been seen for 8 years and Bruce Wayne has become a emo recluse. He limps around the manor in his pajamas practicing archery in the attic. For serious. He is super pathetic looking and has an awful sad looking goatee.

Meanwhile, everyone is super psyched that Gotham is at peace. There is peace everywhere! They are silly with it. Soon we won't need police-men because there is so much peace!!!

The first twenty minutes of dialogue are basically citizens of Gotham asking how things could possibly go wrong!!?

We've SEEN the trailer. We KNOW things are going to go wrong. Its kind of why we are here. Rather than be bludgeoned to death with foreshadowing- how about some more fight scenes, or cool gadgets, or Morgan Freeman, or Morgan Freeman doing a fight scene. No? Everyone gets an emo monologue instead? Cool.

Anyway, Catwoman steals some pearls from Batman.

This act of of petty thievery makes Bruce Wayne shave off his stank ass goatee (THANK YOU, CATWOMAN) and explore the city (which is peaceful!). 

He finds that his selfish pining has landed his company in the toilet and orphans are living in sewers because of him. 

Also, everyone he loves is still dead.

STUFF HAPPENS 

The plot is driven forward once again by Catwoman doing awesome things.

She dazzles everyone with her sneaky schemey brain and kicks everyone who stands in her way in the face. Awesome.

While Bruce Wayne is being a useless feeb- Catwoman is kicking so much ass. About 94% of the badassitude in this movie is provided by Anne Hathaway. It should be called Catwoman: A Tale of Awesome Air-Kicks.

At one point, she and Batman are both fighting Bane's thugs. Randomly during the fight, Batman knocks the gun out of Catwoman's hands and chastises her for using it. I'm pretty sure it is supposed to be a nod to Batman's history of being anti-gun in the comics but it carries significantly less weight in the movie when all of Bruce Wayne's vehicles come equipped with CANNONS. 

ALSO- Catwoman has an awesome lesbian subtext (AND NO ONE CAN TELL ME OTHERWISE). When Catwoman isn't being a brilliant adorable ninja- she is in the company of some nameless urchin she has taken under her wing. She is protective of random urchin and lives with her in her little hovel. GAY!

BATMAN: "Wait...... what?"

THERE IS THIS RANDOM WOMAN...

Some woman keeps popping up trying to get Bruce Wayne to support her clean energy project. The woman is played by Marion Cottilliard so she is PROBABLY significant in the future (even though Morgan Freeman and Michael Caine are in this movie and are completely pointless). But, I guess, whatever for now....

BANE

Bane lives in the sewers with his occupy Gotham posse. Bane is made of muscles and only wears leather and kevlar and wears a mask you would normally only see in a nightmare. The screenwriters, however, really want to drive home that he is a bad guy so he murders some people at random to establish his villainy. (WE GET IT!)

There is so much peace that the new police strategy in new Peaceful Gotham is to not chase bad guys. All they do is hop down the sewers and they escape. Gordon is a renegade and plays by his own rules (i.e. actual police rules) and finds out there are a crap-ton of people living in the sewers with guns.

Also, Bane sounds like a bad Sean Connery impression. 

BATMAN RETURNS?

Meanwhile, Bruce Wayne is still trying to solve the mystery of who Bane is... and what he wants. He doesn't figure much out. Alfred, however, is like some sort of super-villain wikipedia and looks up everything there is to know about him.

"All I need to fight crime is my batsuit and my serious face"

Bane seems bad and emo Bruce Wayne sighs deeply and decides to be the Batman again. Alfred rightly points out that you need muscles to be Batman but Bruce Wayne is all like, "Whatever, Alfred. I've done this before, I think I know what I'm doing!"

You listen to Alfred, whippersnapper!

Anyway- cue Batman's badass return to the scene. He's out to stop Bane from doing... something. 

(Bruce Wayne isn't awesome at solving mysteries in this movie).

Bane shoots up the exchange and Wall Street people and despite earlier established villainy-- EVERYONE IS TOTALLY ROOTING FOR HIM. Like, he just shoots some people point blank in the face and as far as I can tell and no one in the audience cared. The Wall Street Suits are later used as HUMAN SHIELDS and people still don't care. The police don't even care. They are chasing after Batman. Even Batman makes almost NO effort to save them.

RANDOM WOMAN BECOMES RELEVANT!

Random woman (Marion Cottilliard) takes over Bruce Wayne's fusion reactor which can power all of Gotham with clean free sustainable energy (but can also be weaponized) so he didn't turn it on. 

BANE MAKES HIS MOVE

Bane shows up at the Wayne Enterprises board meeting and steals the reactor and uses it to give Gotham free sustainable energy. 

JK- he totally uses it for evil.

Also, that shoot out at the stock exchange, stealing all of Bruce Wayne's money, and a couple of random scenes with Catwoman-- that was all to gain access to the fusion reactor. With Bruce Wayne gone, Bane could replace him with his people. I like how Bane is a violent terrorist and just shoots and kills people to get what he wants but in order to get a fusion reactor- it is imperative that he gain majority access on the shareholder's board. 

BATMAN FIGHTS BANE AND LOSES SO HARD

It is hard to watch.

They have a pity party over who had a tougher childhood. 

I'm guessing the guy who has to wear a mask in order to breathe.

Batman is then banished to the Middle east to learn how to be less of a pussy.

The Middle East.

Bane blows up a football field (and the mayor) and lays siege to the city. He can basically do all of this because he trapped the entire police force underground. 

JUST TO REVIEW...

So, just to review: Batman is in the middle east, the people of Gotham are just being assholes, the entire police force is just chilling underground, and the outside world is completely useless. 

And it is like this for a LONG TIME.

Winter happens.

CUT TO THE MIDDLE EAST

So Bruce is in the  Middle East to re-learn how to be a badass and it takes him FOREVER. He is in a giant pit with other forgotten rabble. It isn't really guarded- it is just impossible to escape. Getting out of the pit requries an impossible jump that no one has ever made-- oh, except a child did it this once.

Bruce Wayne's time in the middle east is basically a montage of him doing sit-ups and pull-ups while he is told the story of this little child who made the jump. Two magical arabs tell him the story.

The reason the child made the jump is that their life was filled with pain and hatred. Growing up in the pit, the child was surrounded by darkness, sickness, and the worst parts of man. The child had nothing to loose. Bruce Wayne lost both his parents as a child and fell down a well once so he figures that is practically the same thing.

Bruce Wayne makes the climb. 

(*Also, for someone only eating gruel, he certainly bulked up during his time in the pit.)

When he emerges, he negligently tosses a rope down into the pit. Did that free everyone from the pit? It is unclear!

Also unclear- how the FUCK Bruce got back to Gotham city from the friggin Middle East.

Sooooo... Batman's major action sequence is climbing out of a giant well.

THERE IS A BOMB THREAT BECOMES RELEVANT STARTING.... NOW!

Suddenly, the bomb is a threat. Like, it was a threat before now but now it is even more of a threat.

A SERIES OF EPIC FIGHTS

For anyone who thought this movie was going to be pro-occupy, they would be seriously dissapointed. Bane uses the same rhetoric as the Occupy Movement does and is against pretty much the same things but he is a violent psychopath. His vision for Gotham is one of chaos and violence.

This is actually a candid shot.

The movie doesn't really paint cops in a great light- but the people who stand up to Bane are the cops and in the end it feels very pro-cop.

Bane fights Batman. Batman tries to redeem himself but it is Catwoman who dispatches Bane (with an effing CANNON).

EVACUATING GOTHAM

Joseph Gordon-Levitt is tasked with evacuating Gotham which is no easy task since Gotham is a metropolis. 

First place Levitt goes to is the boys home to rush the orphans to the bus and then he goes to the NOWHERE ELSE.

He pulls four orphans aside and tasks them wtih knocking on as many doors as you can in 15 minutes within a two block radius of the bus.

THAT is his EVACUATION PLAN.

If you are in the other 98% of the city, you don't even get a heads up.

And if you do happen to be in that 2 block radius- your warning is a street urchin hollering at you to go to the bridge because Batman said so.

Surprisingly, no one listens to them and the 13 orphans are the only ones to leave on the freedom bus.

You guys, The city is under siege! 

I wouldn't open the door for Batman.

So... super ineffective evacuation plan.

GETTING RID OF THE BOMB

For what is supposedly a mega-unstable substance, it actually seems to be the most durable device ever. While attempting to manuever that reactor out of the city, it gets flung against the ground, shaken up in a bus, and smashed against several walls before it is airborne. It explodes off the coast having no effect on life at all.

Batman sacrifices his life for the city.

And thus the movie ends not with a bang but with a whimper.

SO IN THE END...

Wrong is righted? 

The movie manages to be anti-establishment, anti-rich, and anti-rabble. 

If you are ever in trouble, don't count on the cops or the government or your neighbors or even your local super-hero (he might be to busy pining over his dead girlfriend).

Was the lesson that everyone is awful and pointless?

Also- renewable energy is bad because it can be weaponized (which someone rightfully pointed out is becoming a disturbing theme in movies...).

The only thing that seems to be good are orphans and sexy ninja thieves.

...And I was already on Team Hathaway.

I am awesome.